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Mash (1970)
Released By: Twentieth Century Fox Home Entertainment   Rating: PG   In Theaters: N/A
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Studio: Twentieth Century Fox Home Entertainment
Genre: Comedy
MPAA Rating: PG
Director: Robert Altman
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Donald Sutherland, Elliott Gould, Jo Ann Pflug, Robert Duvall, Sally Kellerman, Tom Skerritt
Published ID: 3134
UPC: 024543027096, 024543133452, 024543224563, 024543599951,
Plot: Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. Hot Lips Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood New Wave had arrived. ~ Lucia Bozzola, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
This started it all.
Added 11/8/2009

This is the original movie that started the MASH TV series. Alan Alda isn't in it nor is Roberta Swift of many of the characters you are used to from many years of the TV series. However Trapper John and the Painless Polock are there, who are not in the TV series.
0 out of 0 people found this helpful.
Christians be warned! This movie mocks God.
Added 11/2/2009

I always enjoyed the weekly television series MASH, so I was quite shocked to discover that the movie version of MASH is a piece of garbage, which is where my copy ended up. My first shock was to discover that the catchy little tune they play at the beginning of every show is actually a song about suicide being painless. Next, one of the characters is mocked for praying. The worst scene is where they mock the Last Supper during a fake suicide. Enough said!
0 out of 2 people found this helpful.
crude, rude and pompous
Added 6/6/2009

I am more or less in accord with other reviewers who see this movie as a piece of 1960s counter-culture. The heroes of the movie are crude, rude and pompous. The "villian" of the movie (Frank Burns) embodies Patriotism and faith in God. The movie mocks and denegrates Christianity, fidelity and patriotism. In a larger sense, the movie which was supposed to be a comedy, wasn't even that funny. I didn't laugh once at the "good guys" teasing Burns into a nervouse breakdown, or the various "fag jokes". I realize that being in a war zone can cause a certain degree of morality to break down; I just don't think that it is funny when that happens.


0 out of 6 people found this helpful.
MASH the movie...
Added 6/5/2009

One of the great films. Interesting that Sutherland and Gould thought it was a career ender. Quite true to the book which is worth reading.
And always keep in mind that it was made during our Vietnam period, the draft, and probably the most unpopular mis-adventure by our government.
When was the last time you knew someone engaged to 3 women...
I rest my case.

0 out of 0 people found this helpful.
Misogyny and racism glorified
Added 4/30/2009

I love the TV series MASH, and was genuinely looking forward to watching the film. Sadly both my friend and I sat in stunned silence through the film, which was (1) not funny unless you find a man stepping on a rake and hitting himself in the face hilarious, (2) disgustingly misogynistic (from the way Hotlips was treated - first as a prude who needed to be brought down a few notches, and then as a nincompoop, to the other female characters (nurses in both the MASH unit and in Tokyo, and the prostitutes in Tokyo)), and to top it all off (3) racist and (4) anti-homosexual.

Perhaps some will say I am ignoring the fact that this is a black comedy, meant to be disrespectful and brash. If that is the case, I will happily remain in my cocoon of ignorance.

0 out of 5 people found this helpful.
This started it all.
Added 11/8/2009

This is the original movie that started the MASH TV series. Alan Alda isn't in it nor is Roberta Swift of many of the characters you are used to from many years of the TV series. However Trapper John and the Painless Polock are there, who are not in the TV series.
0 out of 0 people found this helpful.
Christians be warned! This movie mocks God.
Added 11/2/2009

I always enjoyed the weekly television series MASH, so I was quite shocked to discover that the movie version of MASH is a piece of garbage, which is where my copy ended up. My first shock was to discover that the catchy little tune they play at the beginning of every show is actually a song about suicide being painless. Next, one of the characters is mocked for praying. The worst scene is where they mock the Last Supper during a fake suicide. Enough said!
0 out of 2 people found this helpful.
crude, rude and pompous
Added 6/6/2009

I am more or less in accord with other reviewers who see this movie as a piece of 1960s counter-culture. The heroes of the movie are crude, rude and pompous. The "villian" of the movie (Frank Burns) embodies Patriotism and faith in God. The movie mocks and denegrates Christianity, fidelity and patriotism. In a larger sense, the movie which was supposed to be a comedy, wasn't even that funny. I didn't laugh once at the "good guys" teasing Burns into a nervouse breakdown, or the various "fag jokes". I realize that being in a war zone can cause a certain degree of morality to break down; I just don't think that it is funny when that happens.


0 out of 6 people found this helpful.
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