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Track 29 (1988)
Released By: Cannon Home Video   Rating: R   In Theaters: N/A
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Studio: Cannon Home Video
Genre: Comedy
MPAA Rating: R
Director: Nicolas Roeg
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Christopher Lloyd, Colleen Camp, Gary Oldman, Sandra Bernhard, Seymour Cassel, Theresa Russell
Published ID: 762
UPC: N/A
Plot: A dissatisfied woman encounters a mysterious stranger who may be her long-lost son in this peculiar, darkly comic drama. Theresa Russell plays the deeply disappointed Linda Henry, who feels stifled by a strained marriage to Dr. Henry Henry (Christopher Lloyd), who pays more attention to his model railroads than to his wife. Desperate for diversion, she is captivated when Martin (Gary Oldman) arrives, claiming to be the child she gave up for adoption after a teenage pregnancy. She immediately bonds with this stranger, but numerous signs indicate that he may not be what he seems. Strange behavior follows from everyone involved, with some of the film's most bizarre sequences concerning Dr. Henry's toy train fetish. The complex, often ambiguous script is by noted British writer Dennis Potter, who also wrote Pennies from Heaven and The Singing Detective, and Nicolas Roeg provided his predictably stylized, enigmatic direction. Despite several interesting moments, Track 29 is far from either Potter's or Roeg's best work, and most critics found it a bizarre, ineffective muddle. ~ Judd Blaise, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
EXCELLENT GARY OLDMAN !!!!!
Added 9/28/2009

This film is kind of fantastic and original. Gary Oldman is very very amazing.
I recommand it for the people are in love Gary Oldman.

0 out of 0 people found this helpful.
Mother : you left me but I never left you !
Added 11/2/2004

The initial lines of this famous Lennon `s composition will be the clever device to develop an intriguing story where the love of a homeless guy and a strange twist of fate will make of him (Gary Oldman ) establish a fascinating erotic affair with Theresa Russell one of of the supreme femme fatale of the eighties .
As always Roeg surprises us with his challenging handle camera and shot angles .
Terrific cast and a well elaborated script make of that bizarre story a very hard to watch movie .

2 out of 3 people found this helpful.
One of the worst movies I've ever seen.
Added 10/4/2002

The sad thing about it was that this movie had potential, which is probably why it made me so furious. Its director was Nicholas Roeg (The Man who Sold the World, Walkabout) and the main star was Gary Oldman. Not only that it was made by Handmade Films, started by George Harrison, a company that only lasted a few years but made some fabulous movies like "Withnail and I" and "Mona Lisa".
The problem was its script. There was no real story and I felt so sorry for Gary Oldman playing such an obnoxious uninteresting character. Some "twists" were thrown into the middle of the picture but they just seemed ludricous and with only a half hour to go, I ejected the movie.

1 out of 9 people found this helpful.
The train's off track, but Oldman's worth the ride...
Added 6/30/2000

Most people who watch this go away mumbling "where was the plot" it was there, buried, but there. I love this film. Then again, I'm a huge Oldman fan. This was one of his earlier performances and you can see the actor that was to come. His portrayal of Martin, an alcoholic's fantasy version of her long-lost son, is magnificent. He shifts from man to boy, lover to child brilliantly. I wish I could praise his co-stars as highly. Theresa Russell's stiff performance as the bored alcoholic housewife left me cold and, for my money, Christopher Lloyd and Sandra Bernhard could have been left out completely. The only reason to watch the film is Gary Oldman, but his performance makes it worth watching again and again...just keep the ffwd button close.

"MOMMY!"


6 out of 8 people found this helpful.
I AM that mother!
Added 5/1/2000

...says the truck driver to Oldman, in one of the most oddlyquotable lines, in a film built upon scene after scene offrustratingly strange action. Described as a black comedy, I don't remember laughing except in awe of its disregard for coherence . . . The climax scene is indescribable, and I'm not sure if it is weirder in or out of context. It is fitting that the title is a random snippit, explaining nothing and then being less than trivial even after seeing it. If you have an innate desire to see each starring male character's hindquarters, buy this film and enjoy it from the safety of your padded cell.
4 out of 5 people found this helpful.
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