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Alice Guy or Alice Guy-Blaché was a French pioneer filmmaker, active from the late 19th century, and one of the very first to make a narrative fiction film. She was the first woman to direct a film. From 1896 to 1906, she was probably the only female filmmaker in the world. She experimented with Gaumont's Chronophone sync-sound system, and with color-tinting, interracial casting, and special effects.
Born
Tuesday, 01 July 1873
Died
Sunday, 24 March 1968
Actress Filmography
| Title | Character | Year |
|---|
| Be Natural: The Untold Story of Alice Guy-Blaché | Self / Self (archive footage) | 2018 |
| Hollywood Insider | Self | 2018 |
| Stupefying! | Self | 2016 |
| Charles Pathé et Léon Gaumont, premiers géants du cinéma | Self | 2016 |
| Le jardin oublié: La vie et l'oeuvre d'Alice Guy-Blaché | Herself (archive footage) / Self | 1995 |
| La fée aux choux | 1896 |
Actress Filmography
| Title | Character | Year |
|---|
| Be Natural: The Untold Story of Alice Guy-Blaché | Self / Self (archive footage) | 2018 |
| Hollywood Insider | Self | 2018 |
| Stupefying! | Self | 2016 |
| Charles Pathé et Léon Gaumont, premiers géants du cinéma | Self | 2016 |
| Le jardin oublié: La vie et l'oeuvre d'Alice Guy-Blaché | Herself (archive footage) / Self | 1995 |
| La fée aux choux | 1896 |
Director Filmography
| Title | Year |
|---|
Producer Filmography
| Title | Year |
|---|
| Tarnished Reputations | 1920 |
| My Madonna | 1915 |
| The Song of the Wage Slave | 1915 |
| Vampire | 1915 |
| The Vampire | 1915 |
| The Woman of Mystery | 1914 |
| Shadows of the Moulin Rouge | 1913 |
| The Rogues of Paris | 1913 |
| Matrimony's Speed Limit | 1913 |
| A House Divided | 1913 |
| The Girl in the Arm-Chair | 1912 |
| Making an American Citizen | 1912 |
| Canned Harmony | 1912 |
| Algie, the Miner | 1912 |
| Greater Love Hath No Man | 1911 |
| Cupid and the Comet | 1911 |
