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Gregg Toland, A.S.C. was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Long Voyage Home (1940). Toland was voted as one of the top 10 most influential cinematographers in the history of films by the International Cinematographers Guild in 2003.
Birth Name
Gregg Wesley Toland
Born
Sunday, 29 May 1904
Died
Sunday, 26 September 1948
Actor Filmography
| Title | Character | Year |
|---|
| Five Came Back | Self | 2017 |
| Mystères d'archives | Self | 2009 |
| The Wonderful World of Disney | Self | 1997 |
| Visions of Light | Self - Takes Light Level on Gary Cooper | 1992 |
| Show-Business at War | Self | 1943 |
| Citizen Kane | Interviewer in 1935 Newsreel / Interviewer | 1941 |
Actor Filmography
| Title | Character | Year |
|---|
| Five Came Back | Self | 2017 |
| Mystères d'archives | Self | 2009 |
| The Wonderful World of Disney | Self | 1997 |
| Visions of Light | Self - Takes Light Level on Gary Cooper | 1992 |
| Show-Business at War | Self | 1943 |
| Citizen Kane | Interviewer in 1935 Newsreel / Interviewer | 1941 |
Director Filmography
| Title | Year |
|---|
| December 7th | 1943 |
| Year | Type | Category | Won |
|---|
| 1942 | Oscar | Best Cinematography, Black-and-White | Nominated |
| 1941 | Oscar | Best Cinematography, Black-and-White | Nominated |
| 1940 | Oscar | Best Cinematography, Black-and-White | Won |
| 1940 | Oscar | Best Cinematography, Black-and-White | Nominated |
| 1938 | Oscar | Best Cinematography | Nominated |
| 1936 | Oscar | Best Cinematography | Nominated |
