Hisayasu Sato

Hisayasu Satō, sometimes misread as Toshiyasu Satō, is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. His best known works are the pink film The Bedroom (1992), and the V-Cinema splatter film Splatter: Naked Blood (1996). He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is often likened to Canadian director David Cronenberg due to his unflinching eye for Body Horror. Along with fellow directors, Kazuhiro Sano, Toshiki Satō and Takahisa Zeze, he is known as one of the "Four Heavenly Kings of Pink" .