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Julia Krynke is a multilingual Polish actress, voice over artist and trained classical musician based in London, UK. She is known in the UK for her roles in TV series Spooks, Holby City and The Street, and has had a successful career in cinema, theatre and TV in Germany, Poland and Ireland. She is fluent in Polish, English and German.
Born
Tuesday, 20 November 1979
Actress Filmography
Title | Character | Year |
---|
We Were the Lucky Ones | Gita | 2024 |
Ridley Road | Roza Furstenburg | 2021 |
Cien | Anna Wroniecka | 2021 |
Undocument | Laura | 2020 |
The Pleasure Principle | Tamara | 2019 |
Sick of It | Dobroslawa | 2018 |
Slad | Krystyna Winnicka | 2018 |
The A Word | Maya Petrenko | 2016 |
Die Kanzlei | Regina Meissner | 2015 |
Avengers: Age of Ultron | Sokovian Driver | 2015 |
Actress Filmography
Title | Character | Year |
---|
We Were the Lucky Ones | Gita | 2024 |
Ridley Road | Roza Furstenburg | 2021 |
Cien | Anna Wroniecka | 2021 |
Undocument | Laura | 2020 |
The Pleasure Principle | Tamara | 2019 |
Sick of It | Dobroslawa | 2018 |
Slad | Krystyna Winnicka | 2018 |
The A Word | Maya Petrenko | 2016 |
Die Kanzlei | Regina Meissner | 2015 |
Avengers: Age of Ultron | Sokovian Driver | 2015 |
Der Pfarrer und das Mädchen | Agnieszka / Tessas Mutter | 2015 |
The Game | Embassy Woman | 2014 |
Line of Duty | Kasia | 2012 |
Trivia | Danuta | 2011 |
DCI Banks | Katrin Vesik | 2010 |
Erratum | Edyta / Edyta, żona Zbyszka | 2010 |
Little Foxes | Anna | 2009 |
Die Besucherin | 2008 | |
A Few People, a Little Time | Asystentka L.E. Stefańskiego | 2007 |
Odwróceni | Reporter | 2007 |
Notruf Hafenkante | Cristina Hagi | 2007 |
The Street | Olenka | 2006 |
Pierwsza milosc | Julka Derwisz | 2004 |
Kryminalni | Anna Rybik | 2004 |
Pogoda na jutro | 2003 | |
Distant Lights | Beata | 2003 |
Kasia i Tomek | Edyta Kartacz | 2002 |
MI-5 | Bibi Saparova | 2002 |
Leipzig Homicide | Olga Sarpei | 2001 |
Holby City | Ania Green | 1999 |
Ein starkes Team | Natascha Karpenko | 1994 |
Casualty | Ania | 1986 |
Police Call 110 | Nikola Böhler | 1971 |